淺談男高音聲部真假聲結(jié)合的訓(xùn)練

畢業(yè)論文

摘要

在聲樂(lè)教學(xué)中，男高音的訓(xùn)練重點(diǎn)應(yīng)放在真假聲結(jié)合上，從歌唱的實(shí)踐和聲樂(lè)的發(fā)展?fàn)顩r來(lái)看，真聲，假聲，真假聲結(jié)合3種發(fā)聲方法中真假聲結(jié)合的發(fā)聲音樂(lè)方法是解決男高音聲部高音難的有效方法。較之純真聲或單1的假聲歌唱發(fā)聲要優(yōu)越得多，便利得多。真假聲能否結(jié)合得自然平穩(wěn)，運(yùn)用得自如恰當(dāng)，是決定男高音能否獲得完美聲音的關(guān)鍵。
關(guān)鍵詞：男高音；真假聲結(jié)合；訓(xùn)練

ABSTRACT

In the teaching of vocal music, the stress of the practice of alto should be laid on the combination of original voice with falsetto. There are three methods of voice production in the singing practice and the development of vocal music, original voice, falsetto and the combination of the first two. The third method can easily produce more beautiful voice than both pure original voice and single falsetto. The natural and smooth combination of original voice with falsetto and its flexible use decide the key of the alto who can reach his perfect voice state.
Key words：Tenor; combination of original voice with falsetto; train

目 錄

摘要I
AbstractII
引言1
1、真假聲結(jié)合的歷史價(jià)值1
1. 歐洲的情形1
2. 中國(guó)的.情形2
2、真假聲結(jié)合的科學(xué)價(jià)值2
1. 如何辨別真假聲2
2. 各種發(fā)聲法中的真假聲運(yùn)用3
3、如何進(jìn)行真假聲結(jié)合訓(xùn)練4
1. 肌肉運(yùn)動(dòng)原理4
2. 神經(jīng)調(diào)節(jié)原理5
3. 真假聲結(jié)合發(fā)聲法是男高音訓(xùn)練中的最佳方法5
4. 真假聲結(jié)合訓(xùn)練的3步驟5
總結(jié)7
注釋8
參考文獻(xiàn)8
致謝9

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