高覺新與孫少安形象比較

摘 要

高覺新和孫少安是巴金《激流3步曲》和路遙《平凡的世界》中塑造的長子形象。作為不同時代背景和社會氛圍中塑造的長子形象，他們有著不同的責任應承，不同的愛情態(tài)度，不同的自我犧牲和不同的價值追求等等。但作為長子，他們有強烈的責任意識，雙重性人格，悲柔軟弱的行為模式等許多相似之處。因中國傳統(tǒng)封建思想的長期灌輸和浸潤，1些思想已經(jīng)積淀成為1種民族心理。隨著社會的發(fā)展，大家族逐漸解體，但是人們受封建思想的影響的某些性格矛盾卻依然存在，不同時代的.長子的性格還是有著1脈相承性。“長子們”要擺脫沉重的舊文化的“10字架”而真正的做回自己，放飛自我，發(fā)展自我，不但需要重塑自我性格，還需要整個社會的努力，將反封建的斗爭進行到底。
關鍵詞：長子形象；文化性格；封建思想；自我選擇

ABSTRACT

Gao Juexin and Sun Shaoan is the eldest son image in the novels.The former present in "Turbulent current Three Inchworms" createad by Bajin, the other is showed in Lu Yao’s "Ordinary World" . As the eldest son image molds which as in the different time background and the social atmosphere, they have the different responsibility to accept, different love manner, different self-sacrifice and different value pursue and so on. However, they are both the eldest son, they have many similarities,such as: the intense responsibility consciousness, ambiguity personality, sad supple weak behavior pattern and so on . Their thought already accumulate into one kind of national psychology,since they were instilled by Chinese tradition feudalistic for a long time. Along with societys development, the respected family disintegrates gradually, but the people are been contradictory feudalistic thinking influence certain dispositions still exist actually, the different time eldest sons disposition has inherits the nature. "The eldest son" must get rid of the serious old culture "the cross" but true to do oneself, releases for flight, development, not only needs to remould the self- disposition, but also needs the entire social the endeavor, the struggle will be carried through to the end.
Key words: Eldest son image; Cultural character; Feudal; Self-selection