老舍, 中國(guó)現(xiàn)代小說(shuō)家、作家，語(yǔ)言大師、人民藝術(shù)家，新中國(guó)第一位獲得“人民藝術(shù)家”稱號(hào)的作家。下面是YY簡(jiǎn)歷網(wǎng)小編為你整理的老舍英文簡(jiǎn)介，希望對(duì)你有用!

　　Lao She (February 3, 1899 - August 24, 1966), formerly known as Shu Qingchun, another pen name Qing, Hong Lai, non-I, Because Lao She was born in the lunar calendar spring, his parents named for him, "Qingchun", probably contains the celebration of spring, the prospects for the good meaning. After school, his name changed to Shu Sheyu, with "abandon the self", that is, "ecstasy" means. Beijing Manchu is red flag. Chinese modern novelist, writer, language master, folk artist, new China first won the "people artist" title writer. Representative of the "camel Shoko", "four generations", the script "teahouse".

　　Lao She's life, always forget to work, he is a well-deserved literary and art "model". In 1966, due to the Cultural Revolution in the vicious attacks and persecution, Lao She was forced to desperation contained in Beijing Taiping Lake.

　　Personal experience

　　1899 Lao She was born in Beijing. His father was a Manchu army, killed in the Eight-Power Allied forces attacked the city of Beijing in the war. The whole family by the mother for the laundry to do life to live.

　　1908 Lao She nine years old, was funded into the private school.

　　In 1913, admitted to the capital of the third middle school (now Beijing three), a few months after the economic difficulties drop out, the same year to obtain public expense of Beijing Normal School.

　　Graduated in 1918, was appointed to Fang alley primary school as president. Two years later, promoted to the outskirts of the Beijing Normal University Education Bureau, but because it is difficult and education and local old forces to work, and soon took the initiative to resign this well-paid duties, to return to school teaching.

　　In 1921, in the "overseas new sound" published "her failure" of the vernacular novel, signed to give, it is so far found Lao She's earliest works, only 700 words.

　　In 1922, the ceremony to join Christianity, after the Nankai Middle School in Tianjin to teach the country, and in Beijing Education Association, Beijing local service group work. During this period, he was keen on the cause of social services, but also in the English night school and Yanjing University tutoring English.

　　In 1923, in the "Nankai quarterly" published the first short story "little bell".

　　In 1924, went to the UK, the London University of Asia and Africa College (School of Oriental and African Studies, University of London) lecturer. In the United Kingdom, Lao She had used Colin C. Shu as the English name (should be its Christian name).

　　In 1926, in the "Novel Monthly" serial series novel "Zhang's philosophy", No. 1 signed "Shu Qingchun", the second period from the "Lao She". After three years to continue to create, published in the UK published a novel three "Zhang's philosophy", "Zhao said", "two horse". The British teaching career makes Lao She a qualified writer.

　　In the summer of 1929, from the British home, in Singapore for six months, any secondary school teachers.

　　In 1930, returned to the Ren Qilu University professor, while writing side teaching.

　　In 1931, married with Ms. Hu Xiaoqing, published the same year, "small slope of the birthday."

　　In 1932, the creation of "Cat City", and in the "modern" magazine serial. After a few years, Lao She has created a "divorce" and "crescent" in the history of modern literature has an important position in the work.

　　In 1934, he was a professor of literature at Shandong University.

　　In 1936, Lao She resigned from the Shandong University professor to concentrate on writing. In September, "Camel Xiangzi" in the "universe wind" serial, 1939 the book by the official book official release.

　　In 1937, August returned to Qilu University to teach. November went to Wuhan alone.

　　In 1938, Lao She was elected as executive director of the All-China Arts and Artists Association and director of the General Affairs Department, presided over the daily business, external representatives of the "Association", and overall responsibility for the leadership of the work. In July the same year, with the Association of West moved to Chongqing.

　　In 1939, Lao She translated the English version of the "Golden Lotus" published in London, translated as The Golden Lotus, this version is more authoritative for the West, "Golden Lotus" translation, has issued four times.

　　In 1944, the creation and reproduction by the Friends of the printing company published "four generations together" the first volume "apprehension".

　　In 1946, by the United States Department of State invited to give lectures in the United States a year, the same year published "four generations" second volume "stealing".

　　In 1949, the literary and art circles of more than thirty friends decided to return home, in October from the United States, arrived in Tianjin in December.

　　In 1950, the Chinese Folk Literature Research Association was established as vice chairman.

　　In 1951, was awarded the title of "People's Artist" by the Beijing Municipal People's Government.

　　In 1953, he was elected vice chairman of the National Federation of Literary and Art Circles.

　　In 1957, "teahouse" published in the "harvest" the first phase.

　　In 1966, the Cultural Revolution could not bear humiliation, since Shen in Beijing Taiping Lake.

　　In 1968, won the Nobel Prize for Literature nomination, and was voted on the first, because Lao She is no longer alive, the promise awarded to Kawabata Yasunari.

　　In 1978, Lao She was reborn and restored the title of "People's Artist". Tombstone engraved with Lao She's words: "literary and art circles responsible pawn, sleep here."

　　married family

　　In 1930, Hu Xiaoqing is studying at Beijing Normal University, the mother afraid of her because of this school and delayed life events. Linguist Mr. Luo Changpei is Hu Xiaoqing brother's friend, one back, he went to Hu to play, Hu mother asked him to help. At this time Lao She just returned from London, and works, so Luo Changpei will introduce to the Lao Lao Lao She, Lao She was informed of the talent and character, Hu mother exceptionally pleased, privately set the dragon by law, and with Luo negotiated a well-planned plan to make Lao She and Hu Qingqing meet.

　　In the winter of 1930, Lao She returned to Peking. Under the arrangement of Luo, Lao She was everywhere to be friends to eat, and the dinner table always Hu Qingqing. After frequent encounters, Hu and Shu produced the affair. Until the summer of 1931, Hu graduated from the school, the two held a wedding.

　　After half a month of marriage, Lao She brought his wife to Jinan, continue to teach in the university, Hu Qingqing in a secondary school teaching. The first child was born in Jinan, is a girl, named Shuji. In 1935 the second child, son of Shu B was born in 1937, produced in Chongqing, the third child, second female Shu Li.

　　Creative subject matter

　　Lao She's works are mostly based on the public life. He is good at depicting the life and destiny of the urban poor, especially good at depicting the conservative and backward middle and lower people who have permeated the feudal patriarchal ideology, under the impact of the new historical trend in ethnic contradictions and class wrestling. Puzzled, hesitant, lonely contradictory psychology, and dilemma, at a loss of ridiculous acts. He likes to reflect the universal social conflict through everyday trivial scenes. Strokes tend to extend to the excavation of national spirit or the thought of national destiny, which makes people live a serious and heavy life from light and humorous. On the natural scenery of the colorful rendering and on the customs of the nuanced meticulous, add the work of the breath of life and fun.

　　In the history of modern literature, Lao She's name is always with the public theme, Beijing subject matter closely linked. He is the modern Chinese literature on the outstanding customs, the world (especially the customs of Beijing) painter. As a person, he reflects the social reality may not be broad enough, but within the scope of his description, but the history and reality, from all year round of the natural scenery, different times of social atmosphere, customs, Such as emotions, subtle minds are combined with concentrated, vibrant, lively, self-contained as a complete plump, "Beijing flavor" full of the world. This is Lao She in the history of modern literature made a special contribution.

　　Lao She's work is another feature, is to show a distinctive anti-imperialist patriotic issues. Lao She's works often directly expose the crime of imperialist aggression, from different aspects of their economic, cultural, religious infiltration and racial discrimination given to the Chinese people all kinds of injuries. He manifested the national awakening, in recognition of national integrity, at the same time attacked in these aggression and infiltration in front of humble knot, for the tiger for the foreign slaves. 1960 is the sixtieth anniversary of the Boxer uprising, then wrote the drama "God fist", reproduce the Beijing residents to fight against the Eight-Power Allied heroic scenes.

　　language style

　　Lao She's language is vulgar and refined. Lao She said: "There is no one master of language art is out of the masses, and no one such master is to record the people's language, and not to its processing." Therefore, the characters in the works of language is refined Beijing vernacular. The "vulgarity" of his work language is based on fine thinking and research. His "white", so that readers easy to understand but quite depth. With the popular, plain text to reflect the times and life, this is Lao She as a language master of the realm, can be described as "water out of hibiscus, natural to carving." On the other hand, Lao She and the use of language to take off the natural shape of the rough and random, made of gold, so that the modern Beijing spoken language as simple and elegant as a carved porcelain.

　　The same Lao She's work is also the pursuit of humor, on the one hand from the Dickens and other British writers, on the other hand also deeply marked the "Beijing civic culture" brand, forming a more intrinsic "Beijing flavor." Humorous, Lao She is the overall style of language works. He said: "the text to be lively and interesting, must use humor ... ... false Nymphoides dry, obscure, boring, is the fatal injury of literature and art; humor will have a great importance." Therefore, Lao She's novels, drama, prose Full of humor and funny colors. His works of words between the lines are flashing his humor: the "thought deep" ideological content, with "said pretty" language to express, subtle timeless, full of rich humor. From the "Zhang's philosophy" come out, Lao She began to be called "humor novelist".

　　Mr. Lao She is the master of the use of subtext, its representative is the "tea house". "Teahouse" with profound subtle subtext, effectively enriched the language of the connotation. The most classic example is the first case of Pang eunuchs and Qin Zhongyi's "tongue war". One of the two men is the Queen Mother of the Queen Mother, one is concerned about the reform of the bourgeoisie, the two met on the surface of hospitality, the bones are bit by bit. "Teahouse" in such lines like everywhere. It does not lead to the tone of the mobs to mobilize people's interest and thought, feel chewy.

　　Lao She works successfully used the vitality of Beijing oral vocabulary, so that the works of language revealed a unique Beijing rhyme, works of life mellow, local scenery, customs and real customs. At the same time with the authentic Beijing, then write Beijing, native character, lively and interesting, rustic and natural, breath of life toward the head, with a unique charm, revealing the charm of the Beijing dialect, showing the lively vitality of Beijing and Lao She control Beijing language ability.

　　Literary thought

　　Lao She's literary thought composition is complex, the history of modern literature in the proletarian literature and bourgeois literature struggle, his faction color is not obvious, although he left the revolutionary leadership literature art direction and other artistic and ideological ideas Have a word. At the same time Lao She has not joined the third generation of Su Wen and Liang Shiqiu and others - do not think that literature is free to death. The tone of his literary thought is to emphasize the freedom of expression of literature, and that the role of literature on society is endless and long-term.

　　But because of the impact of the times, Lao She was once close to the practicality of literature, but after a period of development, the artist he felt uncomfortable, and then re-call and practice the free expression of literature and art, during which its literary thought Also appeared repeated and shocks. So Lao She has no firm and pure literary position, his literary thought is wavering, but he tends to feel from the emotional point of view of literature, that "people are happy is the purpose of art," "literature is to understand life, to explain life of". At the same time Lao She that "the text of the main gas" emphasizes the expression of self-oriented, do not make literature into a textbook of preaching.

　　On the basis of free expression by writers without external interference, Lao She further deepened the depth of personal literature thinking - the form of the good. Lao She repeatedly put forward "literature is a beautiful text for the performance of the soul." At the same time by the British literature inspired by the pursuit of simple and simple language style "off the flower of the clothes, and reveal the text of the body of beauty" To a large extent is connected with the British literature, but also Lao She by Dickens and other writers in the creation of an important projection, is an integral part of Lao She's literary thought.

　　Lao She is also opposed to the literary view of the text, but does not deny the social and social functions of literature, such as Lao She early and mid-term novel "Zhang's Philosophy "" Zhao Zizhi "" two horse "" small slope of the birthday "" Cat City "" Niu Tianci Chuan "" Camel Xiangzi "and so on, the central purpose is to explore the revitalization of national transport, strong national road. Lao She is based on the civilian life as the description of the object to the traditional ethical philosophy of philosophy as the basis for the basis of humanitarian good and evil view as the most basic starting point, whether it is conducive to the revitalization of national transport, strong national scale, and literary description , And later Lao She during the war of resistance against Japan issued a large number of propaganda and anti-war art works.